live vocal compression settings

These settings put the vocals “in your face,” as recording engineers say: Threshold: –2dB. Regarding monitors, I've found that inexperienced vocalists often get confused and uncomfortable if their vocals are compressed; since they don't hear themselves getting louder, they will often just push harder. Asking for help, clarification, or responding to other answers. I typically try to hover around 1-3dB of compression so when they belt I end up with more like 6-8dB of compression. Especially if your vocalists are not trained in microphone technique. Less is more you knowheh. Jim Kerr. Sound Design Stack Exchange is a question and answer site for sound engineers, producers, editors, and enthusiasts. Simple recording for live broadcast, crowd mics, compression configuration, etc, Will live music damage hifi speakers (assuming compression, etc is used), Creating distorted/dark/disturbing samples on stage. How to write an effective developer resume: Advice from a hiring manager, Podcast 290: This computer science degree is brought to you by Big Tech, “Question closed” notifications experiment results and graduation, MAINTENANCE WARNING: Possible downtime early morning Dec 2/4/9 UTC (8:30PM…. To learn more, see our tips on writing great answers. Any make-up gain you use in the compressed channel can potentially push you into feedback territory when there's no signal getting through, even though it may not be there when there's signal present and the compressor is reducing the gain. Now if you got some really good talent maybe then you can get more creative, but most singers don't have great mic technique. rev 2020.11.24.38066, The best answers are voted up and rise to the top, Sound Design Stack Exchange works best with JavaScript enabled, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site, Learn more about Stack Overflow the company, Learn more about hiring developers or posting ads with us, Just to be sure: are we talking about dynamic compression (e.g. In other words, use it if there's something specific you need it to do. I am running sound on a very limited budget and am wondering if adding some compression to our vocals and/or guitars will help our sound much. horns are another good candidate for compressing the entire submix - a bit of compression can make the mix much more managable. on the other hand, for live sound, I almost always compress the bass. Threshold. Some of them sing louder the higher they sing and softer the lower they sing rather than having dynamics that work with everyone else. I say that because most guys I know that play in bands, myself included, don't travel around with Rat, Meyers, or Clair Brothers type monitor rigs. I find around -6dB clip gain on breaths and sibilance works really well for me. Contact your Sales Engineer. The threshold sets the height of the loudness ceiling. Vocal compression will allow your dynamic range to sit nicely in the mix if set properly. Thanks for contributing an answer to Sound Design Stack Exchange! The compressor has a slope. The front vocalists are used to singing into microphones and don't entirely practice good dynamics. Compression is also often difficult to set properly as it should be relatively transparent for live work and difficult for a beginning user to tell the results are optimized. Simpler is better. If you compress the transients without raising the entire signal level afterwards then you may effectively guarantee no transients will trigger a feed back. Now without soloing the vocal slowly turn down the Threshold knob to adjust the amount of compression on the vocal. Some of them have weird spikes. Your compressor’s release time will control how it shapes the tail ends of words and … Of course, if you don't have a seperate monitor board, there's not a lot of choice anyway. Are you going for a specific compressed "sound"? Shop Sweetwater inSync SweetCare Events Careers Used Gear Marketplace (800) 222-4700 Talk to an expert! The choir and orchestra use the dynamics they rehearsed. For live rock show, 4-7 piece bands, I've had good success with the following guidelines. How come it's actually Black with the advantage here? @Skilldrick That's only true if you raise the level after compression. Especially if your equipment...ie board, mic, wedges, outboard octave eq...etc... are semi pro type gear. The only exceptions I can think of will be around the words MP3, data, and mixdown. Here are tricks for crafting better live vocals. So I typically use heavy compression on the front vocalists to tame their bad practices and make them fit with everyone else. Depending on the playing style, you may get away with mild compression, but someone who goes from finger picking to slapping is going to need to have the compression turned way up. I would think that rehearsing without vocal compression would encourage better mic techinique. backing vocals will usually get grouped & compressed, if possible, but you can get away without it. Studio vocals are commonly compressed, but in my observation live vocals have sounded more dynamic. Anything else is going to really mess with your feedback to gain margins. Some singer hate it, some don't care, but if you have a singer who isn't consistent in how close they are to the mic, it can really help. Could you define limited budget? Mess around a little. site design / logo © 2020 Stack Exchange Inc; user contributions licensed under cc by-sa. well if your playing loudly and tend to belt it out I would say bet. 8 channels of compression can be costly if you going the hardware route. Depending on the playing style, you may get away with mild compression, but someone who goes from finger picking to slapping is going to need to have the compression turned way up. Three-terminal linear regulator output capacitor selection. @Vortico, I know, I just stated the comment to get rid of the ambiguity.

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