mix bus compression before mastering

Although, you may find that compression makes your  mix sound different and not necessarily better, so be carefu. Subscribe on Spotify, Apple Podcasts, YouTube, Google Play, or wherever you get your podcasts. Try it out! Whether an engineer uses mix compression or not, is not all that relevant; how an engineer uses it is. Simply upload a finished mix: We'll master your song and send back a 1-2 minute sample at no cost. I want the songs to sound loud, cohesive and glued together like a record while they’re listening to the final mixes. Proper A/B testing with precise gain matching is a must in this situation. If it doesn’t work for you, then learning about it certainly expands your perspective on how compression treats more complex signals. Expert Opinions: Mix & Mastering Engineers On Mix-bus Compression. That is, novice engineers will often instantiate a compressor after they achieve a balanced mix with fader positions and inserts. The most common mistake regarding mix compression is the order in which it is applied. Many compressors have an auto release setting that can prove effective in a mix bus situation. 2dB or 3dB of gain reduction is a great starting point. Give Me Six Weeks And You'll Never Doubt Your Mixing Skills Again, Here's My Perfect Solution for Taming Your Low-end, 3 Things You Must Do for Better Vocal Recordings, Why Persistence is More Important Than Talent in Music. Perhaps 6-8kHz is now sounding harsh. Got this question about mix bus compression from a justifiably confused reader: “You state that you should clear your master bus of any bus compressors before mastering – but..you…advise that we should ‘mix’ into the master bus compressor as early as possible when mixing and this is what I’ve been trying to do. Should you compress, EQ, or otherwise process your mix bus? Start around 200ms and use your ears to set an appropriate release time! Although the latter is true, it is also true that mix bus compression before mastering is a common technique among many notable mix engineers. If you are inexperienced with mix bus compression, then this may be a helpful release time setting option. There are two essential numbers that an engineer must memorize to understand general relative release times. This allows for the referencing of several different mix-bus options. At times mixing into a bus compressor can feel like the faders aren’t doing as much work when the louder elements are pushed. Potentially the search is for a compressor that sounds clean and detailed. However, it could be very time efficient a to run a complete mix through many different classic bus compressors during a studio session and compare them later. On the other hand, you may seek one that adds warmth and harmonic saturation. A rising tide floats all boats and the ocean is big enough for all of us to surf the sound waves. Regardless, as engineers it is our job to try new methods and learn their strengths and weaknesses in our workflow. If you own the gear or have the studio budget then the best option would still be to mix through the hardware compressor of choice in real time (as we discussed in “The Order”). Looking for a punchy bus compressor? Waves Puigchild 670 showing an ideal amount of gain reduction (up to 2 db) on the mix bus. In this article we will, in simple terms, examine some key ideas surrounding mix bus compression before mastering, and we will go over how to start applying it to your projects. Step By Step Mixing called Mixing With 5 Plug-ins you can find on the same page. The ears are always the first line of defense, but keep your eyes on the gain reduction meter and pay attention to its overall push and pull. A multiband compressor on the mix before mastering can be an effective way to address subtle tonal problems before mastering. It is an exciting time for those without the means to purchase the analog compressor that was used in their recent favorite record. The problem is that the compressor changes the balance and transient response of the original mix; thus, any prior work done by the mix engineer loses its integrity and intention. If your ear is not keen to the effects of compression across complex signals, then you could very easily put yourself on a road to a worse mix without realizing it. Below 100ms are fast release times. While some purists still swear by their analog go–to’s, there is no question that digital profiling and modeling is doing an impressive job of mimicking the classics. Print and keep the ones you find sonically pleasing. We do this by offering simple and practical music production and success skills they can use right away to level themselves up – while rejecting negativity and gear-shaming from the industry. So, If you’ve got a mix bus compressor in your mixdown and it’s become an integral part of the sound of your mix, the mastering engineer might ask you to remove it. Experience the clarity that professional mastering will bring out in your music. Instead, the a better order would be to instantiate a compressor on the mix bus prior to diving into the mix treatment. The first thing to ask yourself is what you want out of your mix bus compression? At Audio Issues you’ll learn simple and practical audio production tips you can use right away to improve your music from your home recording studio. Björgvin is the best-selling author of Step By Step Mixing and the founder of Audio Issues. Audio Issues believes in a society where people strive to understand each other better through the power of great sounding music. It would also be practical to take a completed mix to a studio and run it through several of their hardware mix-bus compressors that you probably do not own. Leave that processing up to the mastering engineer.”, I’ve actually flip-flopped a bit on this issue because I tend to do a lot of processing on the mix bus while mixing. Proper A/B testing with precise gain matching is a must in this situation. I talk about the top-down and middle-out method inside Step By Step Mixing. Mix engineers of all experience levels are familiar with how a compressor can be used to control the transient content of various input source signals. Too fast of a release time will sound like the music is pumping in a non-musical way. Again, … As discussed earlier, most compression parameters are best left untouched on the mix bus after it has been set. Got this question about mix bus compression from a justifiably confused reader: “You state that you should clear your master bus of any bus compressors before mastering – but..you…advise that we should ‘mix’ into the master bus compressor as early as possible when mixing and this is …

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